You will note that I have added a couple of new books to the sidebar. It occurred to me that, although I make recommendations from time to time, I never explain why. I guess I just assumed that you’d know or it was obvious. Most importantly, using my links costs you nothing and helps support my blog. It’s a win-win situation. But then there’s the rationale for choosing any particular book. The two recommended books are both catalogs of exhibitions, one from 1975 and the other presently touring. Each one is important in its own right.
The original "New Topographics" exhibition at the George Eastman House is universally regarded as a watershed event. Although art photography was still almost exclusively black and white, landscape photography as represented by Ansel Adams was starting to be considered irrelevant. Instead of Adams majestic landscapes, visitors to the exhibition were confronted with hard-boiled images of houses, motels and industrial sites. To quote reviewer Geoff Wittig, on the whole the exhibition represented “a seismic shift in landscape photography away from the romantic/heroic mode toward the ironic and documentary”. The current book, New Topographics, is collaboration between The Center for Creative Photography, the George Eastman House and art publisher Steidl. The work is filled with essays, full sized images and a photo reproduction of the original exhibition catalogue. If you are interested in the evolution of landscape photography this is a must have.
The second book is also the catalog for the Museum of Modern Art’s show Henri Cartier-Bresson: The Modern Century. If you don’t know the work of H.C.-B., this book is an excellent introduction. The show will be the first Cartier-Bresson retrospective in the United States in over thirty years. It starts in New York from April through June and then moves on to The Art Institute of Chicago, the San Francisco Museum of Modern Art and the High Museum of Art in Atlanta. See the show and buy the book. You won’t regret it.